Άγιος Ονούφριος. Η θέα της γύρω περιοχής από το Αρχοντικό Ζαφειρίου.

Saint Onoufrios. Η ομώνυμη εκκλησία και η Πλατεία Εθνικής Αντίστασης.

Anakasia as seen from the Mansion Zafeiriou. Στο βάθος η κορυφή του λόφου της Αγίας Ειρήνης.

Dight and left the hallway and two rooms, while at the back of the right side there is a small toilet that communicates under the wooden staircase. Upstairs the staircase leads to a small vestibule where the left of the kitchen and in front of the living room. Δεξιά του προθάλαμου υπάρχει ένα δωμάτιο και μπροστά του προθάλαμου βρίσκεται η μεγάλη σάλα η οποία λειτουργούσε ως το σαλόνι του σπιτιού.

Τthe basement and this tripartite arrangement that emerges from the stone walls of the supporting structure and used as warehouses. communicated directly to the courtyard to the second entrance located on the west side, όπως επίσης και με το παράσπιτο με εσωτερικό λιθόκτιστο κλιμακοστάσιο.

O Neoclassicism

Ο Dimitris Paliouras writes that neoclassicism came to Greece from the Bavarian Otto, who chose him first as the rate appropriate to the reconstruction of Athens, πρωτεύουσας του νεοσύστατου ελληνικού κράτους και στη συνέχεια καθιερώθηκε και επεκτάθηκε σε ολόκληρη την ελληνική επικράτεια.

ΣThessaly came somewhat later, γύρω στα μέσα του 19^ουcentury, specifically in the region of Volos, with the start of the reconstruction of the new city which, as characteristically Nicholas Magnes in his book”Periegesis Thessaly and Thessaly Magnesia,London 1860″, “in between Castle and Dimitriados shores,arises from 1840 year of Christians in the surrounding villages, new city they called amen youthful Dimitriada, which has been given on Tash 80 house large and along with the new rate of Built“. The release of Thessaly Volos finds 5.908 residents, που σε λίγα χρόνια στα 1889 φθάνει τους 10.029, in 1896 their 16.788 and the 1907 23.563 κατοίκους.

Η This rapid growth of the new city of Volos, as neoclassicism zenith – says curator of Modern Monuments – created a model city of Neoclassical architecture, both builders, and town planning, since the city planned and built from scratch with the new aesthetic perception.

Η radiation of the new urban center and the effects that always the capital of a region in the periphery, will gradually subdue the region of Pelion, with a slow-moving way to the top, until the final fall of the traditional aesthetic perception. So, σταδιακά έχουμε τηνΗ�οθέτηση του νεοκλασικισμού στους παραλιακούς και στους γύρω από το Βόλο οικισμούς και λίγο αργότερα θα ακολουθήσουν και οι ορεινοί οικισμοί.

EverythingAll the buildings that were built after the 1881 Pelion, μέχρι και τις πρώτες δεκαετίες του 20^Regulation century governed by the principles of the new rate, as he stood in the area, that is adapted to local habits. The buildings are two and, many times, and three-storey houses with wooden roofs lie, the persons covered mountain villages, with slates, but to the seaside with tiles byzantine, in some constructions eclectic architecture, with sharp tips roofs, the inside of which was formed in attics, στεγάζονταν με κεραμίδια γαλλικού τύπου.

Οj faces always organized symmetrically in vertical axes of symmetry and was always decorated with pulled keromoplastiko decoration imitating pilasters with capitals, topmasts,friezes, γείσα κλπ.

Οj plans are organized and these symmetrical axis of the entrance and had tripartite configuration, with the sunlit hallway in the center, στο βάθος του οποίου ήταν το κλιμακοστάσιο και εκατέρωθεν του διαδρόμου τα δωμάτια.

Σconstruction of this period began to appear and new features within modernizing homes,as modern for their time kitchens with built-in arches Pans with bubbles, toilets etc. favors, where, the older structures were in separate buildings, known as Area “paraspita“.

Την εξωτερική αισθητική αντίληψη ακολουθούσε και η εσωτερική διακόσμηση του σπιτιού με γραπτό κυρίως διάκοσμο στις οροφές και λιγότερη χρήση γύψινων ανάγλυφων διακοσμήσεων και ανάλογου ύφους κινητό εξοπλισμό.